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Potala Palace | ||||||||||||||||||
Potala
Palace a fascinating mixture of the Han and Tibetan cultures and arts.
Viewed from afar, Potala Palace looks lonfty, resplendent and majestic.
The Potala Palace beginning constructed in A.D. 7 century Tibetan King
the Songzanganbu time is apart from now to have 1300 history. The Potala
Palace overlaps, tortuous, the same mountain massif fuses in together,
high towers, the magnificent sight is palatial.The palace wall red and
white interaction, the palace goes against resplendently in gold and jade
green, has the intense artistic power.It is Lhasa city symbol, also is
the Tibetan people huge creativity symbol, is the Tibet construction art
precious wealth, also is on the unique Syracuse plateau humanity cultural
heritage. The Potala Palace promulgated in 1961 by the People's Republic
of China State Council for the first batch of nation key cultural relic
preservation organ.In 1994, Potala Palace is included officially by United
Nations Educational, Scientific and Cultural Organization as the cultural
heritage "World Inheritance Name list". The name of the large sacred Buddhist building complex is a derivation from Samskrit Potalaka which is the mythical mountain abode of Avalokitesvara, one of the Bodhisattvas (Buddhist saints). In this connection Lhasa is popularly referred to as Second Mount Potalaka.At an elevation of more than 3,700m, the Potala occupies an area of more than 360,000m. Its 13-story main portion rises 117m. The whole complex, consisting of halls, stupa-tomb halls (where the relics of the supreme lamas are preserved), shrines, prayer rooms, monks' dormitories and courtyards, is recognized as the world's highest and largest castle palace. Built against the terraced slope of the hill, the structures combine to from a huge sky-scraping mass, reminscent of the divine realm above the mortal world. The granite walls elaborately decorated with soft white thatch, the golden roofs decorated with big gilded bottles, the splendid curtains and banners, join to form a unique structural wonder bearing the striking colors red, white and yellow characteristic of Tibetan architectural art, making the Potala an eminent example of a constructive technology traditionally Tibetan and Chinese.As the winter residence of the successive Dalai Lamas, the Potala formerly served as the center of local Tebetan theocratic rule, hosting the major religious and political ceremonies since the reign of Dalai Lama V (1917-1682), at the same time housing the relics of those spiritual leaders.The earliest project for the Potala started in A. D. 631 under Tibetan King Srang00brtsan-sgam-po (617?-650), which included 999 royal rooms plus a meditation chamber. That building was eventually destroyed by thunderbolts and wars. Dalai Lama V, in his effort to consolidate his theocracy,
entrusted in 1645 Bsod-glan-rab-den, his minister, with the rebuilding
of the portion known as the White Palace of the Potala and also the enclosures,
towers and turrets. When the project was completed, the patriarch moved
his government to the new building from Bras-spungs Monastery. The Potala assumed its present form and scale in 1936 when Dalai Lama XIII's (1870-1933) stupa-tomb was completed.The main portion of the Potala contains the White Palace and the Red Palace. The 7-storey White Palace, Dalai Lamas' winter residence, also housed the former local Tibetan government. There the most spacious hall, the eastern Audience Hall (Sishe Phuntsok) occupies a central area of 717m on the 4th floor. It was there that the Dalai Lamas were enthroned as supreme Tibetan Buddhist spiritual leader and the region's temporal ruler.The 5th and 6th floors bore government offices and rooms for the officials.Two particular apartments on the top floor, reserved for the Living Buddhas, were known as Eastern and Western Sunshine Apartments for their long access to sunlight.In constrast with the White Palace, the Red Palace consists mainly of the supreme primates' stupa-tombs and the shrines. Of the 8 stupa-tomb halls, the most magnificent is that for
the cult of Dalai Lama V. To the west his memorial hall, the Western Audience
Hall, covers 725m to be the largest hall in the Potala. Of the extensive
murals there the most notable one shows the patriarch's audience with
Chinese Emperor Shunzhi (reigned 1644-1661) in Beijing. The Dharma-raja's Cave (Chogyal Dupup) and several other apartments dating back from the reign of the Tu-bo Dynasty (629-846)are the earliest Potala structures extant. They house a valuable collection of statues, including the sculptural representation of King Srang-brtsan-sgam-po, his consorts Princess Wencheng and Princess Khri-btsun and his prime minister Blon-stong-btsan-po. As the most elevated hall in the Red Palace, "The Best of the Three Realms" (Sasum Namgyal) accomodates the image of Chinese Emperor Qianlong and the statue of 11-face avalokitesvare cast in more than 10,000 ounces of silver as commissioned by Dalai Lama XIII. The remains of that spiritual leader are preserved in a stupa in the neighboring hall. Construction of that hall, begun in 1933, was not completed until three years later. Through more than 300 years the Potala has accumulated an enormous collection of monuments and relics. There are murals covering totally more than 2,500m, nearly 1,000 stupas, about 10,000 statues and as many thang-ka paintings, the religious library there includes puttra-leaf scriptures and the Bka'-'gyur (Buddhas's Teachings) volumes. There are also a unique collection of golden diplomas
and jade seals granted to successive Dalai lamas by Chinese Ming (1356-1644)
and Qing (1644-1911) emperors to re-affirm the official ties between the
local Tibetan administration and the central Chinese government. And the
gold and silver artifacts, porcelain vessels, enamelwork, jadeware, brocade
and other handicraft articles preserved in the Potala are enormous and
richly diversified.
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